The witch part 1. the subversion ending4/23/2024 The camera loves him and it’s a shame there aren’t more scenes with him. Some of her best scenes are when she finally uses her gleeful smile during the gory ending with some nice echoes of Firestarter.Ĭhoi Woo-Shik (Bong Jong-Ho’s Parasite) completely steals the movie as the charming lead of the supercharged assassins. She also handles her action set pieces well with a burning intensity. The slices of Ja-Yoon’s homelife are sweet and the interplay between her and her loud mouth friend feels real. Up until the third act, The Witch Subversion is a gorgeous looking and well-told story. By the time we get to the final scene, it feels like a big cheat to keep us around for the next chapter in the story. This is sadly something that many newer films try to do to keep the gravy train coming. This idea for a serial story is most likely why the story seems to race to a cliffhanger. But the story and pacing are a bit of mess which leads to a rushed ending.Īt the time of this review, it’s rumored this movie is the first in a new trilogy, with the second film coming out sometime in 2021. While known as a screenwriter thanks to his work on Kim Jee-Woon’s I Saw The Devil (2010), Hoon-Jung showcases a nice visual eye with a heavy focus on action and scene detail. The Witch: Subversion (2018, aka The Witch Part 1 Subversion) is a fun action thriller from director Park Hoon-Jung (2011’s The Showdown). During her train ride to Seoul, she meets a mysterious man (Choi Woo-Shik) and slowly realizes that her past is coming to find her. She decides to try to raise money for the family by starring at a Korean talent TV show where she can showcase her “unique” abilities. But Ja-Yoon’s adopted parents are facing hard times. She finally reaches a farmhouse with a friendly older couple. On top of great acting, after spending three months in an action school, Kim Da-mi showcased some serious combat skills on the big screen.After a brutal massacre at a top-secret testing facility, a young girl named Ja-Yoon (Kim Da-Mi) escapes in the nearby woods. Her character is neither good nor evil she is just a living creature, trying to survive as she goes on a necessary rampage. Her characterization of the young woman, as well as her transformation throughout the film, are dazzling. Kim Da-mi’s portrayal of the protagonist shows that the modern Korean cinema is in a great need of more female leads. While the narrative of V.I.P was poorly written, Park’s new work is filled with strong female characters, including Professor Baek and the heroine herself – Ja-yoon. This pacing is a part of what makes the film so engaging that, and the unexpected twists and turns prove that Park Hoon-jung still possesses the spark for directing the production is electrifying and adrenaline-pumping. After this and the following encounters, Ja-yoon is gradually forced to face who she is and where she really came from – her supernatural powers come alive in a crucial moment of her life and the roller-coaster ride begins…Īfter the fast-paced intro, the narrative abruptly changes to become slow-moving, only to speed up again in the second part of The Witch. Nobleman (Choi Woo-shik: Okja, Monstrum), approaches them and tries to provoke Ja-yoon it appears like the man knows the girl well, without Ja-yoon being familiar with Gong-ja. However, during their train journey, a strange young man, Gong-ja, a.k.a. Ja-yoon and her mischievous friend Myung-hee (Go Min-si) make their way to Seoul, where the next competition is held. With the family living on a tight budget and with Ja-yoon’s mother suffering from Alzheimer, the girl decides to appear in a singing competition, with the possibility of winning $500,000. 10 years later, Ja-yoon (Kim Da-mi) – still unaware of what happened to her – lives her life quietly and attends a local high school like any other teenager would. They take the girl in and raise her as their own. The little girl ends up unconscious on a farm far from the laboratory, where she is found by Goo (Choi Jung-woo) and his wife (Oh Mi-hee). Choi (Park Hee-soon: The Fortress, 1987: When the Day Comes) and Dr. During the bloodshed, a boy and a girl manage to escape however, the boy is soon caught by Mr. The film starts with a carnage in a secret facility, where children are modified and programmed to become warriors with superpowers. The Subversion, starring the newcomer, Kim Da-mi. After the rather minor success, accompanied by mostly unfavourable critiques of his 2017 feature V.I.P, a film where mediocre imagination ruled the depictions of cruel treatment of women, which turned it into a prosaic, occasionally sickening narrative, Park Hoon-jung, who penned The Unjust (2010) and I Saw the Devil (2010), has finally made a proper comeback with a strong and exhilarating supernatural thriller, The Witch: Part 1.
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